Classic Films on Review
The Perils of Pauline (1947)

The Perils of Pauline is based on the silent actress Pearl White and her famous serials “The Perils of Pauline”.  The film tells the story of how Pearl (Betty Hutton) went from working in a garment factory to a stage actress to a famous screen actress to the ending of her serials when the genre went out of favor.

            Pearl works in a garment factory where she is none too happy. Her boss is a work horse never really giving the ladies a fair deal. One day a stage actress named Julia Gibbs (Constance Collier) comes into the factory after a dress of hers was made for a new show she will be performing that night. The owner will not allow Julia to pay for the dress with a check so he sends Pearl along to make sure Julia pays for the dress. Pearl is so excited she wants to be on the stage so bad all she wants is to be an actress. Since Julia was let getting to the theater the head of the acting company Michael Farrington (John Lund) sends Pearl onto the stage as an opening act. She sings a song called “Rumble Rumble Rumble” with such enthusiasm she nearly brings the house down.

With Julia’s help, Michael gives Pearl a chance on the stage but she keeps messing up and never performs to his standards. He is constantly yelling at her and bringing her down. While rehearsing for a kissing scene sparks happen between them and they begin to fall in love… or at least have some kind feelings for each other. The scene they rehearsed for does not go too well. Michael is furious with her but Pearl lets him have it and leaves the company. Julia standing behind Pearl leaves as well.

            Julia’s agents give her a job in the movies. She is not thrilled about it but she takes it. Right from the moment she enters the set she is insulted by getting a pie in her face for the scene but the director does not tell her. Pearl is furious and trying to help her friend they accidentally walk through multiple sets including one with a lion. Pearl does not even realize she pushed a lion out of the way until the director tells her he will pay her one hundred dollars a week as an actress because of what she did with the lion.

            Pearl becomes a star with her serials “The Perils of Pauline.” Every week Pauline comes close to death in a new adventure. Pearl does all her own stunts falling off of airplanes, jumping from buildings, being captured by bad guys. Meanwhile, Michael and Timmy (one of the members of the acting company) have not had it easy. The company folded and they were jobless. Pearl gives Timmy a job in her serials. Michael was working as a sideshow announcer when Pearl finds him after so long. Michael still thinks he has a chance as a serious actor and is reluctant to go into the movies. He becomes Pearl’s love interest in her shows and Timmy is the villain.

            Michael falls in love with Pearl but after he becomes disillusioned with films and even Pearl he leaves her. Once again the two actors do not see each other for a long time. Michael is now a successful actor on Broadway. Silent serials went out of style leaving Pearl without a job so she moves to Paris where she is now a singer and dancer in a nightclub.

Besides Betty Hutton the cast to me is nothing really to brag about. Hutton was just incredible I seriously cannot believe the amount of energy and enthusiasm she had and put into her character. The Perils of Pauline is the reason MGM used her to replace Judy Garland in Annie Get Your Gun. If you watch the video I posted for “Rumble Rumble Rumble” you will see why they chose her for Annie. I really have nothing but love and admiration for Hutton she can go from being crazy and all over the place to being calm and dramatic the next being fantastic either way. She was the perfect example of the ideal entertainer she could literally do comedy and drama as well as musicals. I love her singing voice as well as her speaking voice.

            The Perils of Pauline offers the Code-d version of the story of Pearl White. Of course the film ending has Pearl and Michael ending up together but in real life Pearl died in Paris when she retired from films after word got out her stunt double died doing one of her serials. The actress died from alcoholism and drugs. If this was made today of course we would see the sad, realistic version but this was made in 1947 at MGM so the ending had to be happy. I gotta say though I would rather see a happy ending.

            The Perils of Pauline is a cute film. Betty Hutton is definitely worth sitting through the film for she is fantastic. Definitely see this film. It is available on DVD and the music numbers are available on Youtube.

Annie Oakley (1935)

“Toby Walker, you’re supposed to be a sharpshooter and you can’t even see a woman gal under your own nose.”
“I can see anything I’m aiming at.”

            A while back I watched Annie Get Your Gun with Betty Hutton and Howard Keel. From liking this film I found out that Barbara Stanwyck played the character in the 1935 version of Annie Oakley. I found Stanwyck’s version and watched it.

            Toby Walker (Preston Foster) has just been signed by Jeff Hogarth (Melvyn Douglas) to be the new sharpshooter in Buffalo Bill’s Rough Riders show. While in Cincinnati a challenge is set up to see if anyone can win a shooting match against Toby. MacIvor the owner of a hotel gets on the line to his friend in a small town who knows the person who shoots the quails for his kitchen. The hotel owner thinks the challenger is a man named Andy Oakley and is shocked that Andy is actually Annie (Stanwyck). He wants to call off the challenge but Jeff and Toby stick to it and have the challenge go on as planned. Annie is winning but she sees everyone is making fun of Toby for getting beat by a girl so she lets him win. But Jeff sees that Annie would be a great addition to Buffalo Bill’s show and signs her as well.

 Bill is not too sure about Annie at first. All she seems to be able to do is shoot she does not have any theatrics. Toby helps her out with some stunts and by the time the show is over Annie is a hit. Toby does not really like the idea of Annie being billed before him so Bill and Jeff come up with an idea that they can do a Battle of the Sexes act. Annie can see Toby does not like this but he says he does not care just as long as he can be with her.

            The two sharpshooters fall in love but keep it private and play up their “rivals” aspect of the show. Everyone even Bill and Jeff think Annie and Toby really are rivals. At a show in Annie’s home town, one of the locals goes to kill the Indian Sitting Bull by shooting him. Toby was in the chief’s teepee and got rid of the person before they got to Bull. Unfortunately the man’s gun went off right in front of Toby’s face temporarily blinding him in one eye.

            At the show that day Annie has the announcer say that Toby is going to shoot a quarter out of her hand. Toby is upset he says he will not do it since he has not told anyone he cannot see straight. All the men in the stands and in the show start to pester him about being a pansy so he shoots. He misses the quarter and hits Annie’s shooting hand. The whole company thinks Toby hit her on purpose because she was more popular than he was. Annie knows he did not mean it they love each other and she trusts him. Toby is fired from the show.

            Annie is heartbroken throughout the show’s trip through Europe. She wants to leave the show after it plays in New York. She misses Toby. Of course they get back together though and it is really cute how they get back together.

            Barbara Stanwyck was so perfect as Annie. To me she is always the tough cookie and perfect that way. I just cracked up that she was supposed to be from the back woods of Ohio and she had a Brooklyn accent. Never saw Preston Foster in a film before this. He kept driving me nuts he reminded me Brut Reynolds and I hate Burt Reynolds. Melvyn Douglas was not front and center and was not really a good character but I liked him I like him in any film he does.

            Annie Oakley is a good film and it is not very long at an hour and a half. Definitely suggest seeing it.

Devotion (1946)

“All our lives there has been too much left unsaid between us. Loving is the only thing that really matters, Charlotte. It’s worthwhile being hurt a bit to find that out.”

            Last summer my brother Anthony had to read Wuthering Heights for his AP English class. My mom read it too so she could help him out with the story and he could have someone to talk it over with. By the time Anthony finished the book and watching a BBC production of the story I was so sick of hearing about Heathcliff and Cathy I wanted to scream. I seriously never want to read the book the story annoyed the hell out of me. Then I realized since the book was published how many other great literary novels and films (Gone with the Wind in particular in both mediums) were based off Emily Brontë’s literary masterpiece. I have seen the 1939 film version with Laurence Olivier and Merle Oberon in a film class and wanted to scream my head off.

            I love to read but I tended to stay away from literature with my preferences leaning towards mysteries, history books, biographies, and film books. But after reading Gone with the Wind I now have an interest in reading literature masterpieces… well ones I know I will understand, I do not have the patience to sit and try to decipher the meaning.

            Now you may be wondering why on earth I am ranting about Emily Brontë, Wuthering Heights, and reading literature. Well two weeks ago when I was home by myself for the weekend I got to peacefully watch Devotion that I had recorded off of TCM. Devotion tells the (dramatized and romanticized) story of Branwell (Arthur Kennedy), Charlotte (Olivia de Havilland), and Emily Brontë (Ida Lupino) (as well as a little bit of their sister Anne). Branwell is like the black sheep of the family; he drinks too much and causes scenes when he is drunk. Charlotte wants to see the world in order to write her stories while Emily is very content to stay home on the moor near their Yorkshire home.

Charlotte, Anne, and Branwell get the opportunity to travel to London for a few months. While away a new priest named Reverend Arthur Nichols (Paul Henreid) comes to help their father at his church. He and Emily spend an awful lot of time together. They even fall in love a bit but there is no sharing of feelings between them. In time the three traveling Brontë siblings return home. The first time Arthur lays eyes on Charlotte he falls in love with her but she does not like him.

            Branwell has not been behaving himself and feels awful he wants to do something nice for Emily and Charlotte. He sells one of his paintings and sends his sisters to school in Brussels to further their education as well as to teach. Charlotte is loving the experience and she is falling in love with the married school master. Emily misses the moor and England. She repeatedly has dreams of Death on a horse where she cannot see his face. She dreams of Death while in Brussels and she finally sees his face and to her this means she does not have time left and must go home.

Both sisters return home. Charlotte begins to see Arthur loves her and begins to fall for him. Emily is upset because now she will never be with him. She pours all her feelings about Arthur and her lost love into Wuthering Heights. Charlotte finishes writing Jane Eyre and has it published along with Wuthering Heights. Both books are huge successes. Charlotte lives it up in London with all the attention on her. But yet again she finds herself returning home and this time it is because Emily is very sick.

I know this is a very short description with not too much detail but I do not want to give away too much detail and the film was long. If you really want to know what happens to the sisters and brother look them up online.

            I really, really liked the cast. I have never seen Ida Lupino in a film before and I found myself liking her a lot. Her best scene is when Emily was walking in the moors with Arthur. There is a house on the hill of the moor and she tells Arthur that she calls the abandoned house Wuthering Heights. Just then her vision of Death on his horse appears in the distance. The description was incredible and Lupino’s acting was superb. That scene I now count as one of my favorite scenes from a film it was just acted, filmed, and written so well. Lupino may have gotten top billing but the film definitely belonged to Olivia de Havilland. De Havilland was in the film the most and she was, as always, so amazing. She was adorable in one scene where Charlotte goes on a date with the married head master of the school in Brussels. They go on the Tunnel of Love ride and she wonders why they named the ride so. Well when they emerge they definitely found the reason! Their hair is a mess and their hats are out of place and de Havilland has the best look of bliss on her face. This was the first time I have ever seen Paul Henreid outside of his role of Victor Laszlo in Casablanca. I liked him as the reverend and I now see that he was a very good actor.

The film was finished filming in 1943 but was not released until 1946. At this time Olivia de Havilland was fighting Warner Bros. for adding extra time to the end of her contract with a suspension. Jack Warner held the film back for three years and gave the actress third billing in an attempt to damage her career. This is when she sued the studio going all the way to the Supreme Court and winning her case. After winning her case and leaving the studio de Havilland went on to win two Academy Awards. The de Havilland Decision is the reason why TV actors are only contractually obligated to a show for six years and no actor can sign a contract for longer than six years.

            The score was created by Erich Wolfgang Korngold. I like Korngold’s scores they were always dramatic and fit perfectly with the stories of the films. He created a great score for Devotion especially in the scene where Emily is in the moor with Arthur looking at Wuthering Heights and sees Death on his horse.

            Devotion, although a highly dramatized story based off the Brontë family, is very well done. The acting by all the actors is amazing, the writing is excellent, and the direction and cinematography are perfect. After seeing this film I am now thinking about giving Wuthering Heights a chance and I now would really like to read Jane Eyre (I find it funny that Olivia de Havilland played Charlotte who wrote the novel and her sister, Joan Fontaine was in the first film version of the story playing the main character). My brother liked Wuthering Heights, he likes anything with a tragic ending (except for Gone with the Wind he was so upset that Rhett and Scarlett did not get back together). I can always ask him if I am confused with the story. I do plan on getting Devotion on DVD and will be showing it to my brother.

            Definitely see Devotion it is a very well made film but just remember it is a film telling of the Brontë family it is not going to be completely accurate.  

Headline Shooter (1933)

“You gotta cold? No wonder you’re putting the freeze on me.”

            Headline Shooter is about a newsreel camera man Bill Allen (William Gargan). Bill is a lady’s man and a hot shot with his camera work. He is the guy who gets to where the news is happening before anyone else and gets the best shots by the time all the other cameramen come. He even goes where other cameramen will not go.

While covering the Long Beach earthquake he meets a tough, wisecracking female reporter named Jane Mallory (Frances Dee). She gets in the way of one of his shots but he does not stay mad at her for long. Jane and Bill decide to work together she can do the reporting and write the story for his film story. They walk all over the city gathering all kinds of stories.

 News cameraman and reporter see each other throughout the week. Bill begins to fall in love with Jane, he even tells her that he has been seriously thinking about her and that she is the only woman he has considered settling down with. Jane likes him as well but her father was a reporter she knows all about the long nights and the drinking he did to finish a story. She does not want that life and that is the reason why she is engaged to a banker down in Riverport, Mississippi named Hal Caldwell (Ralph Bellamy).

            Jane leaves California for Riverport. After a traumatic incident where one of his cameraman buddies dies, Bill realizes that he cannot let Jane get away so he goes after her. When he gets down to her she has a nice sized ring on her finger. Bill could not have gotten to Mississippi at a better time. The levee breaks and he and Jane sees this as a great thing to cover. They go to where the levee broke and they find that the stone used to build the levee breaks apart very easily. Bill gets the flood on camera as well as Hal breaking the stones together. Jane interviews several people. On their way back to town Bill is forced to give his footage of the levee to town officials but he keeps the footage and gives them blank film. He says that the public has the right to know the truth of what happened. Unfortunately the mayor of Riverport kills himself over Bill’s film getting out to the public. Jane gets mad at him and and now without doubts know she is supposed to be with Hal.

            Back in California, Jane goes to her office to resign so she can marry Hal and move with him to Riverport. As she walks out of her interview Jane is kidnapped by the gangster. Now Bill and Hal have to go look for her.

 Of course they find Jane and I am sure you can guess who she winds up with in the end.

            TCM aired the film as part of their Summer Under The Stars with one day being dedicated to Ralph Bellamy. Bellamy is only in the film for the last few minutes. Just as many of his parts to come he played the guy who initially has the girl but in the end he gives her up to the guy who really has the girl’s heart. I liked William Gargan I have never seen him in a film before this. I liked his character even if he was a womanizer he was not nasty about it and he was really nice to Jane. Alright now onto Frances Dee… she was so ridiculously adorable and so fabulous. She is definitely one of the most underrated actresses. I have seen so many films with her and she is excellent at playing so many different types of characters. Right from the moment Dee comes on screen she was a spitfire giving it right back to Gargan. She is the best at the end after Hal and Bill save her. As soon as everything is all clear she gets on the phone to her boss and tells her she has a big scoop for the paper. All excited Dee tells her boss “I witnessed my own rescue.” Gargan and Dee were very good together they had some good chemistry.

Max Steiner composed the score. Right off the bat you can tell it is a Steiner score if you have ever heard any of his scores. If you are a big film buff and really know Steiner’s score you will notice that his “Fanfares 1,2,3” from King Kong playing with the credits at the end.

            Headline Shooter is a very good Pre-code film made by RKO. I came across this completely by accident I do not even know what made me look at the description but once I saw Frances Dee’s name of course I had to see it. But besides Dee being in the film it is really good. It is pretty odd how much it echoes today’s issues with journalism and news and the public having the right to know what is going on.

            Headline Shooter was never released on VHS and it is not available on DVD. Keep an eye out on TCM’s schedule to see if the station ever airs it again. I definitely suggest seeing it.

Nothing But the Truth (1941)

“No, I don’t lose. That’s not a lie. That’s an opinion. If I said YOU were good-looking - That’d be a lie.”

            Nothing But the Truth is the third pairing of Bob Hope and Paulette Goddard. While The Cat and the Canary and The Ghost Breakers were in the same vain story wise Nothing But the Truth is a departure. Even though both of their previous films’ plots were pretty much the same they were still funny and entertaining. Hope and Goddard are very entertaining without a doubt but there are many aspects of the film that keep it from being all around amusing.

            There really is not much to the plot and nothing really outstanding about it. Hope plays Steve Bennett who has joined a stockbroker firm down in Florida. As soon as he gets there his boss Ralston’s niece Gwen Saunders (Goddard) comes in with money. She got the money from running a scheme. Gwen gives ten thousand dollars in cash to Steve and he tells her he can invest it and get her double the money. He has no idea how she got it and does not ask because he has become smitten with her.

            At a meeting with Ralston and his associates Steve says that no one has to lie someone can be an honest business man and tell the truth. Ralston and his associates offer Steve ten thousand dollars. Steve takes the bet so he can double Gwen’s money and right after the he agrees to the bet he sees Gwen walking out with one of the associates.

So now Steve is stuck with telling the truth for the whole day and Ralston and the others cruelly ask him personal questions that he has to honestly answer. Ralston even has him come on his private ship for a weekend with some important people. Gwen will be on the ship as well. Ralston continues to abuse Steve with the questions in front of the guest.

            Once on the ship the whole film goes all over the place and gets too silly.

            Bob Hope and Paulette Goddard were excellent despite a drawn out plot and really ridiculous moments. I will let it slid that Hope gets stripped of his clothes and has to put on a woman’s robe! There is not too much else I can say about the rest of the cast I did not really like their characters which I guess is the point.

            Edith Head once again designed the costumes for Paulette Goddard as she did for many of the actress’s other films.

 Nothing But the Truth has its moments where it is really funny and well done but most of the time I found it to be over the top and annoying. It was predictable mostly because Screwball comedy was on its way out and had been done so much previously. I do not mind the fact that I sat through it I am glad I sat through it, I am always happy to sit through a Paulette Goddard film because it seems a handful of her films are hard to find. I caught Nothing But the Truth on TCM when the station had Paulette Goddard as their actor of the day a few weeks ago and it is available on DVD through a Bob Hope collection called Thanks for the Memories. See the film if you can.

Land of the Pharaohs (1955)

“Yes, he will be remembered. The pyramid will keep his memory alive”

            Ever since I was little I have had a great fascination with Ancient Egypt. I think it all started when I was little and I used to watch the Sesame Street video Don’t Eat the Pictures: Sesame Street Visits the Metropolitan Museum of Art where Big Bird and Snuffy have to help this little Egyptian kid who was cursed to live in a tomb on display in the museum answer a riddle so he can join his parents in the sky. Do not be shocked I recently watched that again for the first time in God knows how long. Anyway, Ancient Egypt was always my first historical and artistic love and still is. I scour through the History Channel and History International looking for any kind of programs on the time period.

            Not that long ago my Uncle Frank, my grandpa’s brother, was talking about the film Land of the Pharaohs with Joan Collins. He was going on and on about the costumes and the sets and how gorgeous it is. Luckily he told me about it when TCM was airing it the same week so I recorded it.  It is a dramatized fictional story mixed with some historical figures and events.

            Land of the Pharaohs is about the building of the Great Pyramid of Giza by King Khufu (Jack Hawkins). He has just captured a group of people for slaves through his conquest of their lands. Khufu has reaped more gold than can be imagined. He does not want anyone touching it so he hides it in a cellar protected by guards. Khufu wants to take his treasure with him to the afterlife and does not want anyone to take it away from him. He has the best architects work on a maze and secret chambers to hide and bury him with his fortune. The architects he chose did not come up with any good plans. He remembers while he was invading the last country he was in there was an architect who built the greatest mazes and chambers he had ever seen he even offered a reward to his soldiers to capture this architect. The architect’s name is Vashtar and he and his son are chosen to work on the pyramid.

Fifteen years go by before the pyramid is near completion. In the mean time Pharaoh has gained a new wife named Nelifer (Joan Collins). Nelifer is no good. She wants Pharaoh’s treasure all to herself and she plots to have his first wife and child killed so she and her lover can become king and queen of Egypt and has all the treasure to themselves.

 The plan almost goes over without a problem… almost.

            The acting is so-so and stiff. I never saw Joan Collins in a film before I did not have any expectations set for her. Collins was not too bad but she is bad enough to cringe at times. Jack Hawkins as Khufu was not good he was stiff and looked amateur. The only person who had any acting ability was Sydney Chaplin as Nelifer’s lover. The oldest of Charlie Chaplin’s children had a successful stage career on Broadway so besides the fact that his father is one of the greatest actors ever Sydney Chaplin had legitimate acting abilities. 

            Howard Hawks the man known for his fantastic screwball comedies directed this film. This was a flop upon release (which is not that much of a shock) and after filming completed Hawks took a year off and it was the longest break between films he ever took.

            Land of the Pharaohs is considered a campy, cult film and I can see why. But I liked seeing all the ancient Egyptian sets and scenery actually filmed in the country. The score by Dimitri Tiomkin is enough to sit through the film it is incredible. Land of the Pharaohs is worth sitting through at least once and if you ever do do not take it seriously just have fun with it.

No Time for Comedy (1940

“I write plays.” 
“Er, yes, I have a hobby, too. What I meant was, what do you do for a living?” 
“Write plays. Anything wrong?”

            No Time For Comedy captured my interest from its title and the pairing of its stars the very versatile and funny Rosalind Russell and James Stewart. I had a feeling this would be a comedy of sorts and it is. I did not know what to expect from the film especially from the pairing because I am now in the habit of associating Rosalind Russell with comedy and James Stewart either with an “aw-shucks,” wholesome kind of character or dark and twisty (thank you Hitchcock).

            A new play is about to open on Broadway starring successful stage actress Linda Paige (Rosalind Russell). The play is about Park Avenue society. Linda, the director Morgan Carrell, and the backer walk into a bar and do not look too thrilled about the third act of the play. They feel the third act will tank the whole show. Back at rehearsal a tall, skinny, nerdy looking guy walks backstage. No one believes that Gaylord “Gay” Esterbrook (James Stewart) is the writer of the play. He does not look like a guy who could have written about New York high society. Finally someone recognizes him and lets him into the theater to watch the rehearsals. Gay sits in the theater seats when Linda comes to watch from the seats as well. At first she thinks he is part of the crew asks him to get her cigarettes. But then someone mentions that Gay is the writer and Linda feels a little embarrassed. The two get along well and she even takes him on the subway because she is afraid he will not last against cranky New Yorkers pushing and shoving their way home during rush hour.

The next night Gay is invited to dinner with Linda, Morgan, and the backer. The dinner does not go over too well. The backer first says he will back the play but then recants and pulls out of the play. Gay does not know about the decision so Linda pulls the cast together and asks them to go without pay until money comes in from the play and they all do.

            After the play finishes Linda walks with Gay through Central Park to calm his nerves. They wait in the park until morning to read the play reviews in the morning paper. The reviews for Gay’s play are great they are filled with nothing but praise especially for the third act. Linda has come to love Gay for his small town boyishness and his sweetness. In the park she asks in so many ways for Gay to marry her. He is a bunch of nerves between the play and Linda being so nice to him. Gay and Linda marry and in the next three years Gay has written three more successful plays and all starring Linda.

    Gay is no longer the small town boy of the beginning of the film. He is now a drunk sophisticate who goes on binges when he is writing plays. He and Linda are still happily married living in a nice house outside of the city. At a party one night Gay meets a woman who tells him that she has the ability to draw out a powerful latent talent he has inside him. He is enthralled by this woman because she is appealing to his want to write a serious play. Linda does not like this woman but she is never cruel to her. Gay’s involvement with this woman begins to threaten his marriage with Linda.

Now for the pairing of Russell and Stewart may seem a bit odd and it is but somehow it works. I have noticed in the few films I have seen Russell in that she tends to dominate the other actors/characters. Maybe this is just my observation but I see her kind of domination as her standing out as a good actress. Her dominance is never overbearing it is just stand out. But in No Time For Comedy Russell was not dominant she played her role just right. There were many scenes that I feel if any other actress had been playing them they would have been over dramatic and not have been sympathetic and caring enough. Near the end Linda and the woman Gay has been with confront each other. Russell kept the character cool in this situation and by doing this she made the character more sympathetic. I find that I am more sympathetic towards a wronged character (mostly it is with female characters) if they can keep calm and much of that is left up to how the actress/actor plays their character. Also near the end Gay is just insulting her after she has told him how he feels about the woman he is always hanging around with and she does not lose it at all but she does not really take it either. I really gained a new admiration and respect for Rosalind Russell in this film. James Stewart I felt was really good here. I am a sucker for seeing actors step out of their comfort zone or playing a character people are not used to seeing. I liked seeing a mean, drunken Stewart who at the end realizes he has done something really stupid. Russell and Stewart were great together although I do have to say there really was no chemistry between them.

 I have to give a great amount of mention to the actress Louise Beavers for playing the actress/Esterbrook maid Clementine. The character was hysterical and Beavers was excellent. She had so many funny lines and moments it is hard just to name one. Some of her lines come fast so listen closely if you ever see this film.

            The film was written by Jilius and Philip Epstein who would go on to write Casablanca. The serious play Gay wants to write is about all the injustices going on in the world with WWII having been underway in Europe for the past year. The brothers would write Casablanca in the same vain the following year showing the injustices and the plight of refuges trying to get out of Europe. It seems the war in Europe was very much on the minds of the Epstein brothers.

            No Time For Comedy is a very good film and one that is excellently acted by the whole cast. I would not say the story is one of the best ever but it is good and helped very much by Rosalind Russell and James Stewart in the leads as well as a few of the supporting cast members. This is a film that should be watched by classic film fans.

            No Time For Comedy is not available on DVD or to view on youtube. TCM recently aired the film so keep your eye out for it on their programming schedule.

Top Secret Affair (1957)

“It’s against my religion. I’m a devout coward.”

            Dorothy “Dottie” Peal (Susan Hayward) is head of Peale Enterprises which include TV, radio, and magazine publishing. She’s a tough, determined lady who does not back down when she wants something. Her magazine has been campaigning for a friend of her father’s as chair for the Joint Atomic International Committee but unfortunately the family friend does not get the job. Eisenhower himself has chosen a military comrade Major General Melville Goodwin (Kirk Douglas). Dottie is out for revenge. She cannot believe that someone she sees as chauvinistic and bullheaded as Goodwin got the job. Dottie immediately plans to smear Goodwin’s name by trying to find dirt on him. She invites the general to her house for the weekend for an interview. Her staffs set up a recorder in the living room and even hang up a portrait of the general to make it seem they have supported him for a long time.

 The weekend starts off well but when Dottie and her staff cannot get any kind of dirt on the general they start to panic and begin thinking of things he said to twist. Goodwin is onto Dottie he knows there is some hidden agenda to what she is doing, he is determined to not give in. Dottie decides to make Goodwin loosen up by taking him out for drinks thinking she can get him drunk. Instead it is she who is getting drunk while the general is nice and sober. She then takes him to a restaurant and makes him sing to humiliate him. He does get humiliated but he does not show it and that night back at the house he packs his things. As he packs a drunken Dottie is out his window calling for him and throws a rock through the window. They have more drinks and Dottie becomes more intoxicated.

When she sobers up Dottie realizes that Goodwin is a very sensitive and caring man. The two spend some nice together alone in the pool house. The next morning Dottie is already to drop her smear campaign and write a nice article promoting Goodwin. But Goodwin says that he is not the marrying kind and blabs about how he had loved someone when he was overseas but she was a spy and had to be killed for what she knew. Dottie is furious over his leaving her. She has Goodwin’s story about the spy printed getting herself and the general into some major trouble.

            Alright, so Top Secret Affair started off well but once Dottie stopped being the shrewd business woman to a woman in love letting her emotions get the best of her the film just tanked. This film is just one of the reasons why I cannot stand many films during the late 1940s and 1950s. America was so wrapped up in Communism and being patriotic it is almost sickening. Now let me back myself up and say that I consider myself a patriotic American but sometimes patriotism can go too far and get out of hand. I see the whole McCarthy era as one gigantic embarrassment in American history and because I find the whole thing ridiculous it bothers me to sit through anything that has to do with the senator and his hearings. Once I saw the film was about an American general I knew I was heading into a little bit of trouble. At the beginning the film was fun and sexy and really enjoyable then once the whole trial with Goodwin being accused as a traitor gets going I found myself mad and bored and really did not pay too much attention. I think really what it comes down to for me when I watch a film I really do not want to see modern issues thrown into the fold… “Art for art’s sake” I guess could be my motto on films. I just do not really see good stories in political themed films or thrillers.

            Susan Hayward and Kirk Douglas were so good together. I do not believe I have ever sat through a Kirk Douglas film before, I did not know what to expect from him but I found myself liking him he was perfect as a bull headed American general. Susan Hayward was fabulous. She always brought a tough side to her characters whether intentional or not and that toughness was perfect for this role.

            My favorite scene was when Dottie was drunk and she was standing on the high diving board above her pool. She is ranting and raving about something and he is totally not listening. He knows she is going to fall in the pool so as she is raving on and on he starts to take off his jacket, shoes, and socks to go get her when she does fall in. Of course she falls in and he gets up from his chair and waits a bit besides the pool before jumping in. Later in the pool house as Dottie sobers up she realizes she is in a bathing suit so she asks Goodwin how she got in it. He tells her she put it on but she had to put it on twice because the first time it was backwards. He also lets her know that they played a game called “Navy” she made up where he was the battleship and she was the torpedo. Those two scenes are the best part of the whole film.

            Top Secret Affair was originally intended to star Lauren Bacall and Humphrey Bogart and followed the book more closely. By the time filming was to start Bogart was already dying from esophageal cancer and could barely speak so he backed out as well as Bacall who had to take care of him. When Susan Hayward and Kirk Douglas were cast the script was rewritten to better suit the two actors. I can kind of see Bogart and Bacall playing the characters but then you have to think their version of the story was much different.

            Top Secret Affair starts off well but does not end well which is a big letdown especially because Susan Hayward and Kirk Douglas were so great together and were doing wonderfully with the comedy. I wish Hayward and Douglas could have made another film together and one that did not have a weak ending. I will still give it a recommendation as a film to see since it does have its good points.

The Heiress (1949)

“He’s grown greedier over the years. Before he only wanted my money; now he wants my love as well. Well, he came to the wrong house - and he came twice. I shall see that he does not come a third time.”

            I happened to find The Heiress on sale at Barnes and Noble a few weeks ago and of course I had to get it Olivia de Havilland is the star and she won an Academy Award for her role. And I have also for the past couple of weeks have been on a bit of an Olivia de Havilland kick thanks to Monty over at All Good Things when he had the actress as his Classic Movie Goddess of the Month in July. Monty had The Heiress listed as one of his essential films to see of de Havilland.

            The Heiress is about a young woman named Catherine Sloper (de Havilland). Catherine is a quiet, naïve girl who lacks social skills and great beauty. Her father, Dr. Austin Sloper (Ralph Richardson), is not at all pleasant to his daughter. He keeps comparing the poor girl to her mother who was beautiful and sociable and had great talent for many things. Catherine’s aunt Lavinia Penniman (Miriam Hopkins) keeps telling her brother to be nicer to Catherine and not compare her to her mother. Whenever Dr. Sloper is mean to Catherine she goes further into timidity and awkwardness.

            At a party one night Catherine meets a young man named Morris Townsend (Montgomery Cliff). He is very handsome and for the life of her she cannot figure out why he is following her and being nice to her. Morris dances with Catherine and even speaks to Dr. Sloper and Aunt Penniman. Aunt Penniman is totally smitten with Morris and is very excited to see a young man speaking to her niece. Dr. Sloper becomes very suspicious of the young man right off the bat. He reasons that the young man has no money and is only interested in his daughter because of her inheritance… and also because he cannot fathom any man being interested in his daughter since he thinks she is dull.

Morris starts coming over to the Sloper house every day after the party. Catherine is very shy and embarrassed over his constant coming over and his professing how much he likes her. After a while she begins to feel comfortable with him being around and becomes blinded by his love. Morris keeps sucking up to Dr. Sloper but still he only sees the young man as only trying to get at money since Morris has no job and is not looking for one.

 Dr. Sloper decides to take Catherine to Europe for six months to get Morris off of her mind. If she still loves Morris in that time he will permit them to marry. Of course Catherine still loves him and she and her father leave their European trip early to get back home to New York. Once home and reunited with Morris, Catherine tells him that she wants to run away that night and marry him. Morris and Aunt Penniman had it planned that the two would marry the next day but Catherine cannot wait she wants to get married right away. She seems to make a mistake though by telling him that her father will disinherit her and she will not have the money she has been receiving from her mother’s death and what she will receive if the doctor dies. That night Catherine waits and waits for Morris to come with a carriage to take her away but he never comes and she does not hear from him for the next two years.

            Dr. Sloper is happy that Morris is gone. As he and his daughter talk about what has happened he reveals to her what he thinks of her. He tells Catherine she is a coward and plain, no man will ever love her, she has no backbone and the biggest blow that she is not like her mother at all. Catherine finally realizes her father does not love her at all he is ashamed of her. She gets a backbone and for the first time she tells her father to write her out of his will so she will have no money. He confesses he only meant he will disinherit her as a threat he never intended to leave her without money. Now she is very angry with him because she is still hurt from Morris leaving and he never would have left her had it been for her father.

            A few months later the doctor dies. Catherine never forgives her father for what he did and said to her that she does not even go to his side as he is dying. Not long after Morris comes back. Catherine has become a very bitter person and her bitterness comes out even more with Morris’s return.

            Will Catherine go back to the man she once loved or does she finally see Morris Townsend as her father saw him: a gold digger?

While I will agree with Monty that this is a must see film I do not think it is an essential Olivia de Havilland film. Sure she won the Academy Award but I just cannot see how she won. De Havilland is nothing short of a great actress in any film she is in but I did not see how her performance as Catherine Sloper was enough to give her an Oscar. First of all, I think I may just be sick and tired of seeing her in period films. The woman did so many damn period films!!! In the beginning there is a scene of Catherine getting dresses and putting her slip or something on and I just though “Olivia de Havilland by this time must have been a pro at putting 1800s style clothing on.” Second, I thought she looked TERRIBLE! Seriously she looked like Gollum from Lord of the Rings! That was distracting I could not get over how awful she looked. The costumes were not bad at all but her hair and her lack of makeup did nothing for her. I think it was more the hairstyles than anything because when de Havilland played Melanie Hamilton she barely had any makeup on and she looked great but her hair here did not frame her face well at all. I apologize if this makes me seem shallow and mean but I was distracted by these things.

 Montgomery Cliff I can take him or leave him… mostly leave him. I just did not like him and it was not because of his character. I do not like his acting. Apparently he did not like Olivia de Havilland’s acting and the two of them did not get along. You can see their complete lack of chemistry I mean yes I know that Catherine was shy and Morris was forcing himself into her life and they had nothing in common but to me there should have been a little chemistry between the actors. I think Cliff is overrated as an actor I do not really see anything great about him. I did manage to sit through I Confess with him as the star but that is only because the story was good and it is a Hitchcock film.

            I had never seen Miriam Hopkins in a film before this. I thought she was good. Ralph Richardson was perfection as the evil, manipulative father.

            The Heiress has a good story, I believe it is a little ambiguous. I did not know whether to believe if Morris really loved Catherine or if he was just always after his money and just left her because he meant well and did not want to get her in trouble or he was upset she would no longer be getting money. Olivia de Havilland, as I said, is nothing short of a great actress and she does give a good performance just not an Academy Award winning performance. Even though I could care less about Cliff I did like the cast they were all excellent in their parts. If you are a classic film fan The Heiress is one film that you should not pass up.

          

Cry Wolf (1947)

“Next time you hear some odd noise in the night, just follow the memorable custom of your sex and stick your head under the bedclothes.”

            Cry Wolf is a Noir (if it can be classified as a Noir) that is not very well known. It stars two of Hollywood’s most classic actors Errol Flynn and Barbara Stanwyck. I had never heard of the film before I typed in Stanwyck’s name on Amazon to see what films of her’s were available on DVD. I was curious to see Cry Wolf not only for its title and plot but for the combination of Flynn and Stanwyck.

            Sandra Demarest (Stanwyck) has gone to her husband’s family home for his funeral. She never would have known he was dead if she had not read it in the papers. As Sandra explains Jim married her for the sake of his inheritance to keep his uncle Mark (Flynn) from getting the money. From the moment she gets to the house Sandra senses something strange is going on. Jim’s casket is closed when he apparently died of phenomena and Mark and a family friend are suspicious of her and her marriage to Jim. They believe she is just some woman Jim knew and is after his great sum of money.

            Jim’s sister, Julie, instantly takes to Sandra and reveals many things to her. Julie says that her uncle is untrusting and believes her uncle killed her brother because Jim did not do what Mark wanted him to do. Julie is scared to stay in the house by herself and one night she runs into Sandra’s room after hearing a scream coming from Mark’s laboratory. Someone usually tells Julie the screams are just a nightmare she has but Sandra also hears it. They go to investigate the scream but are stopped by Mark.

The next day Julie takes Sandra to look at Jim’s room. Sandra has been suspicious of Jim’s death since the day she came to the house and her suspicion was on overdrive once she started looking around the room. She notices Jim’s pipes are missing as well as his sport clothes in the closet. She finds out from the maid that Mark has food sent up to him at 10:30 every night through the dumbwaiter in the kitchen and it is brought down at two in the morning. Sandra decides to use the dumbwaiter to get into the lab. In the lab she hits a water cooler making it move when she hears a noise and hides behind the door Mark opens. He notices some things that are out of place but he just goes back into his lab.

Things go from bad to worse for Sandra. Julie kills herself out of insanity and Mark just sees her as a little experiment to which she slaps him for. Now Sandra has become more determined to find Jim and uncover why Mark is hiding him and what lies under his seemingly sinister demeanor.

            The ending to the film is not good. The whole thing runs so smoothly with excellent suspense and tension and then the last ten minutes are not good, I would not say it sucks or its garbage it just ruins the flow.

            I loved Barbara Stabwyck and Errol Flynn together. Everyone is so used to seeing Flynn as this debonair sword wielding good guy but he was so good as the sinister Mark Caldwell. From the moment he enters the film I loved him I thought his character was great. One reviewer on IMDB said that Flynn reminded them of characters George Sanders played and I have to agree and Flynn was so good at it. This role for him was so different and he got to play something different and it was great to see him stretch his acting talent. Barbara Stanwyck was so good. She was the tough chick that she loved to play who was also heroic and unafraid to uncover the truth. She leapt, climbed a fence and through an open roof window, and more. Stanwyck gives a great performance I enjoyed her very much.

            Whatever you do when/if you watch the film do not think of the characters as their real ages. Stanwyck was forty years old and Flynn was thirty-eight years old. Mark was supposed to be Jim’s uncle and therefore older than Stanwyck’s character. I assume this situation is part of the story but I feel quite sure it is because a lot of times in classic films they usually made their actors and actresses ages much younger than they were.

            I have never heard of the director Peter Godfrey before but I really liked his direction he did a fabulous job of creating tension and suspense through camera movements and angles. Godfrey created the tension by focusing and panning on details such as Sandra’s hand when she turned on the light in her room and following Mark as he goes to sit down next to Sandra. Some of the camera angles were fantastic. The cinematography was excellent as well. The score was perfectly composed by Franz Waxman who added a great deal more of tension to the film.

            Cry Wolf starts off great and runs smoothly until the end. But do not let the end keep you from seeing the film. There are many great suspenseful moments to keep you enthralled and Barbara Stanwyck and Errol Flynn are great together.

            Cry Wolf is available on DVD.